
Who among us has not wanted, at least for a day, Holden Caulfield and be able to be so free from the crowd of babbioni around him? To finally say everything he had in mind, without fear of shocking, but rather with the passion to do it?
I is, sometimes I go again.
Catcher in the Rye, however, is also a very interesting text from the linguistic point of view, the emblem of the so-called style Skaz "Ie connected to a first-person narrative that has the characteristic of the spoken word rather than written.
The player He comes often in constant repetition, slang, exaggeration is not justified, grammatical errors. In short, everything to which any creative writing manual warns him. Yet it is precisely this conscious and skillful blend of shortcomings to make the perfect book and dramatically new. Few writers would be able to stay for the entire novel, I stood inside the rails of the slang of a seventeen year old, without poetic metaphors, pretentious reflections and jumps rhythmic.
Everything is perfectly integrated into the mind of Holden and running on our lips clean, leaving the implication that pervades the narrative take root a bit 'more to us at every rereading.
0 comments:
Post a Comment