The value of this book is to be able to make interesting normality.
Peter, a prototype of the "charge-sensitive" (trapped by his feelings of guilt in a life that feels right but not its ), continuous and relentless pursuit of evidence that its diversity, discovers, "rediscovered", to be too normal.
His anxieties, his fears, his conflicting certainties, his doubts are also dangerous in other . The difference seems to be in the management of these doubts that Peter will bring to question his whole life and never get to make that choice definitive envy his brother, his wife and worship in fear in her daughter.
But this is an illusion. The safety of the other characters is a mind-reading Peter, apparently necessary to encourage it to decide, although completely ineficace. Peter is then normal like all other this awareness and the worn-out, forcing it to create patterns that show that is still not too late to be different.
"At most of the night" is a treasure trove of metaphors and stylistic refinement, as often happens in the novels of Cunningham, where the unspoken which dwells in the mind of the characters is the best dialogues possible. The reader will remain entangled in discourses that run silently in the mind of Peter, much to feel a visceral discomfort by a number of dialogues "real."
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