When Lorenzo gets large? When he loses the tenacious distance from the world, a world who does not understand and which inevitably feel different to wear the patina of aseptic middle class hospitality when they found her parents? The arrival of the sister Olivia, so fascinating in its diversity combative, it's really the point of no return to the childhood of Lawrence? Or maybe in his course of action and thought is especially the meeting with death to make a difference? The death that everyone, sooner or later we must face as it tells the same character at the beginning of the text: " Nasci, go to school, work and die ." It is death to decide in this tense tale of Amman, which begins and ends touching, spying, and feel it moving just below the surface of the words that you cling to each other, stuck to the old boxes that live in the cellar where a boy of fourteen years (Lawrence) tries to escape from the flow inexorable identified by him in that " Nasci, go to school, work and die ." and for which there is no sound at all brought. And so the notes that move the dead around him, announced that Olivia, desired that his grandmother, the Countess's necessary that allowed his parents to take possession of their home. In each there is the search for a confirmation of himself, already perfect and inevitably different from his classmates built, but already mastered the art of the chameleon silent as the only device to get to lay their lives in the banks that these deaths are drawing, because indeed " things, once you think, what need is there to say? "
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